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Ceramics II

Objectives:  Students will:    

ACTIVITIES:

 

Unit 1 The vessel as an abstract form/the pot as a functional object. MORE  TEAPOTS

Unit 2  Nature as Designer.   (click to see details)

Unit 3 Contemporary ceramics. 

Unit 4  Final Projects

Grades*

1st quarter

2nd quarter

Extra credit:  Students may visit a gallery or museum and do an outlined activity.

*Please see Project Grading Rubric and Grading Guide posted in class for more info on grading criteria.

Any project may be reworked for a better grade or extra credit up until the end of the quarter.

STUDENTS ARE RESPONSIBLE FOR WORK AND ASSIGNMENTS MISSED


Ceramics II Cultural Essay Guidelines

Discuss Ceramics as an art form throughout history.

Choose four of these periods:

  1. Prehistoric
  2. Classical Greek
  3. Asian (Chinese, Japanese, Korean)
  4. African (sub-Saharan)
  5. American/European pre-20thC
  6. American/European 20th C
  7. Contemporary

Ceramics II Cultural Essays 

You will choose four of the seven cultures/historical periods and write a 3-page, double-spaced essay on each.

Use the Timeline to help you research and write about:           

  • The function and significance of the ceramic objects in the given culture
  • The technology involved in its production
  • How the ceramics were related to other aspects of the culture
  • What sort of themes we see in the forms and decoration of the objects
  • The influences we see from other cultures, and the influence these objects had on other cultures.
  • [Not necessarily in this order]

Remember to:

  • Word process
  • Proofread carefully
  • Use at least one book (in the library or studio) as well as Internet
  • List and cite all sources

 

   

 

 Tentative Project:

For your final project in this class you will choose a type of pottery that you find interesting. You will research it, make at least two related pieces, and write a critical essay about it.  For example:

Say you chose English 19th C. teapots.

  1. Look at several examples (books, internet). Make sketches - 4 or 5 small ones at least

  2. Read about the history and uses of these teapots,  How are they regarded today? Do they influence other contemporary ceramic artists?

  3. Take notes as you do your research, and note your sources. You will need them for your essay.

  4. Based on your research and the examples you looked at, design your own teapot. Make a good, detailed drawing.

  5. Make your pot.

  6. Do steps 4 and 5 again. (You can be working on both pots at the same time.)

  7. Write a critical essay about your work. Include information from your research to explain how you got your ideas. For info on how to write a critical art essay, see Art Criticism. (Scroll down to find this)

Examples for themes:

Due date: two weeks before Seniors finish (to give time to dry, bisque, glaze and fire

 

ART CRITICISM

What is art criticism?

Art criticism is an organized approach for studying a work of art. It is a way to learn from the artwork itself. It can make art that you don’t understand or don’t feel comfortable with less mysterious and more logical. Art criticism provides a sequential approach for looking at and talking about art. Learning art criticism will help you interpret works of art and give you the confidence to discuss them.

The Steps of Art Criticism

    1. Description - What do I see?
    2. Analysis - How is the work organized?
    3. Interpretation – What is the artist trying to communicate?

Step One: Description – What do I see?

For description, you must be objective and carefully make a list of all the things you see in the work. Do not try to guess why things are there or what they mean. Your description should include the following:

  • The subject (the things you see)  and details.
  • The function.
  • The size of the artwork, the medium used (clay body, type of glaze or other surface, other non-ceramic media), and the techniques used (forming processes, decorating processes, firing proc`esses). This may be found in the credit line information, or you may have to do further research.
  • The elements of art used in the artwork.

Line – lines may be thick, thin, straight, jagged, curvilinear, wavy…

Shape – 2-D shapes may be geometric (triangle, square, circle…) or organic (free-flowing, forms found in nature)

Form – 3-D – the shapes found in a three-dimensional work (geometric, ie. cone, pyramid, cube, cylinder…or organic)

Color – when describing clays and glazes, both color and texture are important.

Value - light and dark within a work (this does not mean lights or darks resulting from outside lighting, such as gallery spotlights.)

Texture – actual or implied texture – smooth, rough…

Space – What is the character of the space? Is it enclosed and compact, or does space flow in and between the solid forms?

Step Two: Analysis - How is the work organized?

During this step, you are still collecting facts about the elements and principles of art. In analysis, you discover how the main principles of art are used to organize the art elements of line, color, shape, form, space, and texture. You may not find every principle of art used in a single artwork.

The principles of art are the rules that govern how artists organize the elements of art.

Balance – Balance is the principle of art concerned with equalizing visual forces or elements in a work of art. Are objects balanced symmetrically around an axis like a butterfly, or are they asymmetrically balanced like a teeter-totter?  If you can pick the objec`t up, how does it feel in your hand?

Proportion – Proportion is the principle of art concerned with the size relationship of one part to another. Is one figure larger than all the rest to show importance (hierarchical scale) or do all the figures look like real life?

Rhythm – Rhythm is the principle of art that indicates movement by the repetition of elements.

Movement – Visual movement is the principle of art used to create the look and feeling of action and to guide the viewer’s eyes throughout the work of art.

Emphasis – Emphasis is the principle of art that makes one part of a work dominant over the other parts. An element, area, isolated figure, or unusual thing might be emphasized in a work. When you open your eyes and look at the work of art, what do you notice first? Second?

Variety – Variety is the principle of art concerned with difference or contrast. A work that is too much the same can become dull and monotonous. Variety, or contrast, is achieved by adding something different to a design to provide a break in the repetition.

Harmony – Harmony is the principle of art that creates unity by stressing the similarities of separate but related parts. Harmony is pleasing to the eye because elements of the work complement each other.

Unity – Unity is the quality of the wholeness or oneness that is achieved through the effective use of the elements and principles of art. It is a subjective quality that you feel as you view a work of art.

Step Three: Interpretation – What is the artist trying to communicate?

In this step, you will explain or tell the meaning or mood of the work. It is here that you can make guesses about the artwork, as long as they appear to be supported by what you see in the work. To interpret you must use your intelligence and imagination. Your interpretation may be different from that of other people. Your interpretation will be influenced by what you have experienced and seen in your life. Your interpretation must be based on the visual facts and clues you collected during the first two steps.

    • Interpret the iconography of the work to help find meaning.
    • Function, or a reference to function, can be part of the meaning.
    • Artist's statement, or information you may discover about the artist's experiences, culture, time period, can help.
    • Using the information you have collected, decide what you think the artist intended for the meaning of the work.
THESIS: this is the point of your argument.  It should be precise and meaningful.

Bad example: This teapot was sometimes used to hold tea and sometimes just a pretty object.

Good example: This teapot parodies women's traditional roles as homemakers.

 

 

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